KEVIN MILLER / PIANO 

American pianist and collaborator Kevin J. Miller is acclaimed for his dynamically artful performances. Recent collaborations include recitals with international tenor Lawrence Brownlee at Carnegie Hall and Houston Grand Opera, countertenor John Holiday at the Kennedy Center and The Barbican in London, Joseph Calleja and Nadine Sierra at the Supreme Court of the United States, as well as an appearance with Mr. Calleja on NPR’s Tiny Desk Concert series.  Mr. Miller prepared soprano Jessye Norman for performances of Laura Karpman’s production of Ask Your Mama, which was performed at Carnegie Hall.  He also collaborated with the acclaimed countertenor, David Daniels, in a recital at the Glimmerglass Festival.  He can be heard on piano on the recording Been in da Storm So Long, which features baritone Kenneth Overton.

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This New York native has been on the fast track to success since his days as a student at the Boys Choir of Harlem.  Beginning his musical studies at the age of 8, Mr. Miller was a featured soprano soloist - most notably in Vivaldi’s Gloria and Lake George Opera Association’s production of A Midsummer Night’s Dream.  While a student at the Boys Choir of Harlem, he studied piano with the late conductor and pianist Warren Wilson. It was also during these years that Mr. Miller began his work as an accompanist, having accompanied the choir on its tours of Europe, Israel, Austria, and Japan.

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Mr. Miller studied at the Mannes College of Music, where he received a Bachelor of Music degree in Piano.  He continued his studies at the University of Michigan School of Music where he received both a Master of Music degree and the Artist Diploma in Collaborative Piano under the tutelage of Martin Katz.  

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In addition to his formal studies, Mr Miller has been a participant in some of the country’s most prestigious festivals and young artist apprenticeships that include The Tanglewood Institute of Music, Aspen Summer Music Festival, The Cleveland Art Song Festival, San Francisco Opera’s Merola Opera Program, Washington National Opera’s Domingo-Cafritz Young Artist Program and the Glimmerglass Festival.  Upon completion of his apprenticeship at the Glimmerglass Festival, he was invited to serve as a vocal coach at the Glimmerglass Festival. 

 

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